Product Details
Place of Origin: Shenzhen,China
Brand Name: QZY Models
Certification: CE, ROHS, SGS, CPC
Model Number: 1:100 Scale
Payment & Shipping Terms
Minimum Order Quantity: 1 Model
Price: Negotiable
Packaging Details: Air standard Flight Case
Delivery Time: Air transportation 7 Days; Sea transportation 30 Days; and others;
Payment Terms: T/T
Supply Ability: 7-30 Days for One Model Making
Matierial: |
ABS, Acrylic,Wood |
Electronic Control Technology (Option): |
Buttons, IPad Control, Mobile Phone Control, Voice Control, Touchscreen Control |
Usage: |
Display,Study |
Key Technologies: |
Laser Cutting, Etching, Refined Handmade And CNC Cutting |
Lead Time: |
7-30 Days |
Model Style: |
Wooden Model |
Matierial: |
ABS, Acrylic,Wood |
Electronic Control Technology (Option): |
Buttons, IPad Control, Mobile Phone Control, Voice Control, Touchscreen Control |
Usage: |
Display,Study |
Key Technologies: |
Laser Cutting, Etching, Refined Handmade And CNC Cutting |
Lead Time: |
7-30 Days |
Model Style: |
Wooden Model |
Attribute | Value |
---|---|
Material | ABS, Acrylic, Wood |
Electronic control technology (Option) | Buttons, iPad control, Mobile phone control, Voice control, Touchscreen control |
Usage | Display, Study |
Key Technologies | Laser cutting, Etching, Refined handmade and CNC cutting |
Lead time | 7-30 Days |
Model Style | Wooden Model |
Technical Specification | Details |
---|---|
Scale | 1:100 |
Lead time | 15 Days |
Illumination | Yes/4000K worm white |
Main Materials | ABS, Acrylic, Metal, Aluminum, Wood |
Style | Realistic |
Usage | Display/Study |
Technic | Handmade, 3D Printing, Laser cutting, CNC Cutting |
Transportation | By air |
Assembly | Easy (1 PCS) |
The Congress Hall Museum model, meticulously crafted by QZYMODELS, stands as a testament to architectural artistry and precision engineering. This miniature marvel transcends mere representation, offering a profound exploration of form, space, and materiality.
At first glance, the model captivates with its interplay of materials. Delicate, grid-like transparent sheets form the building's envelope, a choice that is both bold and revealing. These sheets, likely a high-precision acrylic or similar polymer, allow glimpses into the museum's interior while maintaining a sense of lightness and airiness. Contrasting sharply yet harmoniously, the wooden base grounds the structure. The wood, with its natural grain and warm tones, evokes a sense of stability and connection to the earth, creating a dialogue between the ephemeral quality of the transparent facade and the enduring nature of wood.
The architectural form of the Congress Hall Museum is a study in dynamic geometry. The model showcases a series of curved and undulating surfaces that seem to flow and merge, defying the rigidity of traditional architectural forms. These organic shapes are not arbitrary; they likely respond to the functional and aesthetic needs of the museum program. The way the transparent planes wrap around the white, voluminous interiors suggests a seamless integration of exhibition spaces, circulation routes, and perhaps outdoor courtyards or atriums.
QZYMODELS has not overlooked the importance of context. The model includes a carefully rendered landscape, with miniature shrubs and sandy terrain that complement the building's design. This landscape is not a mere afterthought but an integral part of the narrative. It situates the museum within a specific environment, perhaps alluding to a desert or arid region, and highlights the building's relationship to its surroundings.
The grid pattern on the transparent facade is executed with astonishing precision, each line perfectly aligned to create a sense of order and rhythm. The edges of the wooden base are smooth and finished, a testament to the craftsmanship involved. Even the miniature shrubs are carefully placed, their shapes and spacing contributing to the overall realism of the scene.
In the micro-world of architectural models, QZYMODELS uses tan oak and acrylic as brushes to paint a unique spatial narrative. The base of tan oak, with its simple texture accumulated over time, is as stable and heavy as the earth, bearing the "growth" foundation of the building; acrylic, in its transparent form, outlines the flexible contours of the building, presenting the internal spatial logic and external formal tension without reservation.